’’ said Bill Owens, the journalist who took the picture that appears on the cover of “Altamont 1969,” a book of previously unpublished photographs from the concert released in May.“He was just somebody that decided to take off his clothes and walk off into the distance.’’Maybe he was headed for the future.Lander has been doing research on and has written papers about the Millbrook commune.
’’ said Bill Owens, the journalist who took the picture that appears on the cover of “Altamont 1969,” a book of previously unpublished photographs from the concert released in May.“He was just somebody that decided to take off his clothes and walk off into the distance.’’Maybe he was headed for the future.Lander has been doing research on and has written papers about the Millbrook commune.Tags: Methodology For A ThesisGun Laws Research PaperStudy And Critical Thinking Skills In CollegeApa Term Paper Title PageWriting Essays SoftwareCompare And Contrast Republican And Democratic Parties EssayGretchen Bernabei 11 Minute Essay
We favored the less restrictive, more experiential way of being that seemed to us to be promising.
My friends and I were listening at the time to Another Side of Bob Dylan, the album before Highway 61 Revisited.
Where was he headed, that naked guy clambering his way through the crowd? 6, 1969, and the place was the Altamont Speedway in Northern California.
Though there are many reasons to recall a moment when, as Rolling Stone described it, “everything went perfectly wrong’’ — a day when famous bands didn’t play; when bad acid felled dozens and scores more were injured; and when one of the Hell’s Angels hired to police the event knifed and killed a man during a Rolling Stones set — the image I return to is a peaceable one.“What the hell was he doing?
It was the real thing, not cut with speed or anything else.
I took a few acid trips and sampled other psychedelia in various Greenwich Village apartments, and felt I gained a lot from the mind-bending experiences.— Lyrics from It Ain’t Me, Babe In 1964, five years before the famous festival, American culture was still cautious, conformist and conservative.The world of LSD was a much smaller place then than it later became. Many of the people I knew had more than a passing interest in all things psychedelic. One apocryphal rule is that something becomes history when a historian writes a history about it.Presidential historian Douglas Brinkley will be the keynote speaker at a June 13 and 14 Marist College conference entitled “1969: When Woodstock Changed the World.” Marist’s conference is being billed as the definitive — and perhaps only — academic conference on this anniversary. All events at the two-day Marist gathering are open to the public, but registration is required.The other riders regarded the two meat-eaters with little interest.I got off at the Astor Place station and walked back to my apartment on Sullivan Street. You’re history Like a worn-out shoe My enemy You’re nothing new You’re history You’re history Ooh-ooh-ooh You’re history Like a beat up car No good for me Like an old film star You’re history You’re history Na na na na — Shakespears Sister lyrics, 1989 “With the site of Woodstock essentially in our backyard, it is fitting for Marist to take the helm on an event like this,” said Marist president David Yellen in the press release announcing the June event.“Those are wonderful, wise lyrics,” I still remember my friend Belle Rodd telling me as she placed it on her record player at her apartment on lower Fifth Avenue.“But he sounds so unhappy.” I’ve never before written about the weekend that year that I dropped acid with Timothy Leary at a notorious Millbrook commune.Since that accomplishment, such as it was, is safely part of history now, however, I may as well. I was living on Sullivan Street in the South Village and used to hang out with friends on sunny spring days at the chess tables in Washington Square Park.A couple of people in our group had taken LSD that came straight from Sandoz, its Swiss manufacturer.