And I can't tell you exactly when or why my attitude changed, but eventually my own lines began to unabashedly disregard the rules of depth or tonality to which I had once dutifully adhered, my fervor leaving in its wake black fingerprints and smudges where once had existed unsoiled whiteness.It was in this studio that I eventually made the leap into a new realm of art—a realm in which I was neither experienced nor comfortable.Tags: Oberlin Essay SupplementWriting Essay Rubrics For Middle SchoolResearch Papers On ReligionThesis Maker For Research PaperPhd Thesis EnglandOnline Writing Companies In UsaAcademic Essay SampleWriting Essay My Future Plan
It was the difference between drawing a man's face and using abstraction to explore his soul.
But thus was the fundamental gap in my artistic understanding—the difference between the surface realities that I wanted to depict, and the profound though elusive truths of the human condition that art could explore.
Though, on the surface, Bobby’s essay explores the contrast between the abstractness of his art and the order of rest of his life, it also mirrors the history of art itself.
Just as Bobby the old artist had “the proportions just right, the contrast perfected” in his sketchbook, so too did the painters of the Renaissance work tirelessly to master perspective—to make art seem as realistic as possible.
Unsatisfied, I would scamper away to find his battered bamboo flute, and this time, with my eyes, silently beg him to play.
Although I struggled to communicate clearly through Chinese, in these moments, no words were necessary.Playing a crudely fashioned bamboo pipe, in the midst of sullen inmates—this is how I envision my grandfather.Never giving up hope, he played every evening to replace images of bloodshed with memories of loved ones at home.Indeed, it was the realm of disorder and messy studios and true art—a place where I could express the world like I saw it, in colors and strokes unrestrained by expectations or rules; a place where I could find refuge in the contours of my own chaotic lines; a place that was neither beautiful nor ideal, but real.No, it was not so clean and not so white and not so nice. ___ REVIEW Perhaps the most prominent facet of Bobby’s essay is the use of imagery.No, it was not so clean and not so white and not so nice.But I have drawn—rather, lived—in this studio for most of my past ten years.It is first utilized to bring the reader into the piece and make the introduction pop, with “Late evening rays [...] casting a gentle glow” and “the soft luminescence of the art studio” becoming “a fluorescent glare.” Immediately, the reader knows what the essay will generally be about: art.Still, in the beginning of the essay, a lot of information is left out, leaving the reader begging for details to contextualize the mental images Bobby leaves them.I cherished this connection—a relationship built upon flowing melodies rather than broken phrases.After each impromptu concert, he carefully guided my fingers along the smooth, worn body of the flute, clapping after I successfully played my first tentative note.