Thesis Proposal Mit

Thesis Proposal Mit-72
I know of no software tool which matches a piano or a pencil by these criteria.Instead, instant knowability and infinite expressibilityare all too often traded for one another: we slog through thick software manuals written "For Dummies," only to reach the limits of our tools' capabilities in homogenized outputs that, processed by the same filters and plug-ins, look and sound like everybody else's.Consider, for example, how a three-year-old child can sit before a piano or a pencil and almost immediately intuit its basic principles of operation.

I know of no software tool which matches a piano or a pencil by these criteria.Instead, instant knowability and infinite expressibilityare all too often traded for one another: we slog through thick software manuals written "For Dummies," only to reach the limits of our tools' capabilities in homogenized outputs that, processed by the same filters and plug-ins, look and sound like everybody else's.Consider, for example, how a three-year-old child can sit before a piano or a pencil and almost immediately intuit its basic principles of operation.

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The industry's rush to develop these hot experiences has left in its wake numerous fertile and untrammeled technologies for cooler, more participatory media.

Scott Snibbe has pointed out that one such territory is the domain of synthetic -dimensional computer graphics, which, largely neglected after the early Macintosh era, has only recently begun to be revisited in the roughly two years since consumer PC's became capable of real-time, full-screen dynamic interaction.

For the past year I have attempted to explore abstraction by creating prototype "visual instruments" that afford continuous, expressive handles into the real-time performance of dynamic, abstract animation.

Much of this work has been inspired by, and performed in close collaboration with my colleague Scott Snibbe, to whom I am indebted for introducing me to the domain of performative abstraction, and with whom I presently share many of the motivations expressed in this statement.

Musical instruments provide an especially rewarding basis for analogies because they have offered, for thousands of years, what may be the best example of humans deriving gratifying interactions from machines.

Literature Review On Global Warming - Thesis Proposal Mit

Although the systems I have recently developed do not produce "music" as such, the idea that these works could nevertheless be considered "instruments" for the performance of animated graphics also serves to distinguish them from other software systems which might, on the surface, appear similar.

To Mc Luhan, "hot" media are high-definition, high-resolution experiences that are "well-filled with data," while "cool" media are low-definition experiences that leave a great deal of information to be filled in by the mind of the viewer or listener.

Photography and film are hot media, for example, while cartoons and telephony are cool.

An example of such a subject/object distinction is that between author and authored, the blurring of which, according to psychologist Mihalyi Csikszentmihalyi, is critical to the Zen-like experience of creative flow.

Another such distinction is that between sender and recipient, to whose dissolution, wrote philosopher Georges Bataille, we owe the delight of communication itself.

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