She could see in the open square before her house the tops of trees that were all aquiver with the new spring life. In the street below a peddler was crying his wares.The notes of a distant song which some one was singing reached her faintly, and countless sparrows were twittering in the eaves.She did not stop to ask if it were or were not a monstrous joy that held her. I am not making myself ill.” No; she was drinking in a very elixir of life through that open window.
She could see in the open square before her house the tops of trees that were all aquiver with the new spring life. In the street below a peddler was crying his wares.The notes of a distant song which some one was singing reached her faintly, and countless sparrows were twittering in the eaves.She did not stop to ask if it were or were not a monstrous joy that held her. I am not making myself ill.” No; she was drinking in a very elixir of life through that open window.Tags: Preventing Air Pollution EssayForeword In A ThesisAp Euro Wwi Essay QuestionsNew Venture Business PlanPhd History ThesisGood Ways To Start A EssayEssay About Friendship Or LoveChemistry Coursework Ocr 2015
Louise is genuinely saddened by her husband’s death, and she shows this openly.
However, the experience of her fancy running riot over her newfound freedom happens completely in private.
She lets her guard down, realizes she is free, and relaxes. It was before women had the right to vote, and when being a devoted wife and mother was the feminine ideal.
She knows she’ll be sad at her husband’s funeral, but she looks with hope on all the coming years she’ll have to herself. He hadn’t been at the scene of the accident, and didn’t even know there had been one. The sensation that creeps up on Louise after processing her husband’s death is one of freedom. We don’t know her as Louise until later (see question #2 below), implying that her role as a wife subsumes everything else about her.
Her husband’s friend Richards was there, too, near her.
It was he who had been in the newspaper office when intelligence of the railroad disaster was received, with Brently Mallard’s name leading the list of “killed.” He had only taken the time to assure himself of its truth by a second telegram, and had hastened to forestall any less careful, less tender friend in bearing the sad message.
He stood amazed at Josephine’s piercing cry; at Richards’ quick motion to screen him from the view of his wife. When the doctors came they said she had died of heart disease—of joy that kills. Mallard, who has heart trouble, is gently given the news that her husband has been killed in a train accident.
Her husband’s acquaintance Richards found out at the newspaper office, confirmed the name, and went to her sister Josephine immediately. Mallard weeps wildly and then goes to her room alone.
She won’t have to consider her husband’s opinion on anything anymore. Mallard, whose name is Louise, to open the door, concerned about her well-being. The freedom she feels here isn’t relief because her husband mistreated her, as his face Indeed, the joy that Louise feels over this freedom is so strong that the sudden loss of it, seeing her husband walk through the door, is too much for her heart—figuratively and literally—to take. Theme: Death as a Release The socially acceptable way to react to death is with grief and only grief.
She stays in her room, her feelings of optimism for the future increasing. They walk downstairs together with Louise feeling triumphant. As with the previous theme, this is less pronounced today, but still applicable.