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Samuel Taylor Coleridge is the leading romantic poet in this regard, and "Kubla Khan" is full of supernatural elements.Romantic poetry is the poetry of sentiments, emotions and imagination.
The effect of the romantic movement would continue to be felt in the latter half of the century in diverse literary developments, such as "realism", "symbolism", and the so-called fin de siècle "decadent" movement.
German Romanticism was the dominant intellectual movement in the philosophy, the arts, and the culture of German-speaking countries in the late-18th and early 19th centuries.
Wordsworth recognized nature as a living thing, teacher, god and everything.
These feelings are fully developed and expressed in his epic poem The Prelude.
Though often associated with grandeur, the sublime may also refer to the grotesque or other extraordinary experiences that "take us beyond ourselves.” The literary concept of the sublime became important in the eighteenth century.
It is associated with the 1757 treatise by Edmund Burke, though it has earlier roots.
The poems of Lyrical Ballads intentionally re-imagined the way poetry should sound: "By fitting to metrical arrangement a selection of the real language of men," Wordsworth and his English contemporaries, such as Coleridge, John Keats, Percy Shelley, and William Blake, wrote poetry that was meant to boil up from serious, contemplative reflection over the interaction of humans with their environment.
Although many stress the notion of spontaneity in Romantic poetry, the movement was still greatly concerned with the difficulty of composition and of translating these emotions into poetic form.
Romantic poetry is the poetry of the Romantic era, an artistic, literary, musical and intellectual movement that originated in Europe toward the end of the 18th century.
It involved a reaction against prevailing Enlightenment ideas of the 18th century, I have said before that poetry is the spontaneous overflow of powerful feelings: it takes its origin in emotion recollected in tranquility: the emotion is contemplated till, by a species of reaction, the tranquility gradually disappears, and an emotion, kindred to that which was before the subject of contemplation, is gradually produced, and does itself actually exist in the mind.