Ray Bradbury Rejection Essay

Ray Bradbury Rejection Essay-5
This creative tension is present both in his own life and in the generation of Americans he likes to depict.

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As an adolescent, he vowed to write several hundred words every day, for he believed that quantity would eventually lead to quality.

Experience and the example of other writers would teach him what to leave out.

Graham Greene once said that there is always one moment in childhood when the door opens and lets the future in.

Actually, for Bradbury, there were many such moments.

Electrico, so energized his imagination that he began to write stories to communicate his fervid visions to others.

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Several critics have detected a decline in the quality of Bradbury’s later work, but the standard he set in the 1950’s was very high.Bradbury, like all human beings, is made of time, and human beings, like rivers, flow and change.Adapting the ancient Greek philosopher Heraclitus’s famous statement that one cannot step into the same river twice, one could say that no person ever steps twice into the same self.Sometimes Bradbury discovers a self in the past, and sometimes, particularly in his science fiction, he discovers a self in the future.Several critics have pictured him as a frontiersman, ambivalently astride two worlds, who has alternately been attracted to an idealized past, timeless and nostalgic, and to a graphic future, chameleonic and threatening.According to him, all these influences—writers, poets, painters, and musicians—gloried in the joy of creating, and their works overflow with animal vigor and intellectual vitality.Their ardor and delight are contagious, and their honest response to the materials at hand calls forth a similar response in their readers, viewers, and listeners.Because of his emphasis on basic human values against an uncritical embracing of technical progress, because of his affirmation of the human spirit against modern materialism, and because of his trust in the basic goodness of small-town life against the debilitating indifference of the cities, several critics have accused him of sentimentality and naïveté.Bradbury has responded by saying that critics write from the head, whereas he writes from the heart.According to Bradbury, his style was influenced by such writers as Charles Dickens, Mark Twain, Thomas Wolfe, and Ernest Hemingway. Bradbury was also influenced by such poets as Alexander Pope, Gerard Manley Hopkins, and Dylan Thomas, and such dramatists as William Shakespeare and George Bernard Shaw.On another occasion, however, he stated that his style came as much from silent-film actor Charles Chaplin as from Aldous Huxley, as much from Tom Swift as from George Orwell, as much from cowboy actor Tom Mix as from Bertrand Russell, and as much from Edgar Rice Burroughs as from C. Furthermore, and surprisingly, such painters as El Greco and Tintoretto and such composers as Wolfgang Amadeus Mozart and Joseph Haydn showed him how to add color and rhythm to his writing.

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