If you don’t know how to fight, all you’re doing is gathering supplies for the toughest guy on the block, right? In any case, I mention Burr’s bit not because it relates to Le Blanc’s current project, but because it illustrates the kind of slapdash thinking against which I have been considering Le Blanc’s more general project of “slow journalism.”Unlike most elite journalists, who work as staff writers for major publications and regularly churn out stories as part of the 24-hour news machine, Le Blanc has never worked for a publication as a regular staff writer, and she researches her books for many years.
If you don’t know how to fight, all you’re doing is gathering supplies for the toughest guy on the block, right? In any case, I mention Burr’s bit not because it relates to Le Blanc’s current project, but because it illustrates the kind of slapdash thinking against which I have been considering Le Blanc’s more general project of “slow journalism.”Unlike most elite journalists, who work as staff writers for major publications and regularly churn out stories as part of the 24-hour news machine, Le Blanc has never worked for a publication as a regular staff writer, and she researches her books for many years.Tags: This Side Of Paradise EssayFire Essay 2013School Shootings EssayDissertation Abstracts International Online SearchProblem Solving Techniques For ManagersTechnology Business Plan SampleScarlet Ibis Thesis Essay
Any writer who tries to capture the likeness of another—whether in biography, history, journalism, or art criticism—must face certain questions. What is the power dynamic between subject and writer?
How does a subject’s place in the world determine the parameters of what may be written about him or her?
At least two reasons why became clear during her talk: first, because she does not believe it is possible for her personally “to keep her soul intact while doing lots of quick thinking about people she barely knows”; and, second, because she does not believe that content produced so quickly has any real value. Instead, via a quick series of rhetorical questions, Burr arrives gleefully at the only answer, the obvious answer, the answer he knew he wanted to get to before he even started: does not even refer to Burr himself but to the universal persona Loofbourow defines in her essay.
Because Le Blanc conducts her work in a way that differs from the norm without making her any extra money, she is faced with the task of vindicating herself: Why doesn’t she believe in getting content out to the public as quickly as possible? Since Burr is performing comedy, it practically goes without saying that he never does any analytic labor, never agonizes over the implications his “decision” might have on real human lives (note that our word “labor” comes from the Latin , for “work,” or, significantly, “suffering”).
This, as I understand it, is a big part of the reason why Le Blanc has remained “unaffiliated,” never signing onto any publication as a staff writer or occupying any post at an academic institution. A wide range of voices author the articles, including undergraduate students.
For Le Blanc, institutional resources cannot compensate her for the loss of freedom she would suffer under a contract that would all but oblige her to employ the male glance, to become, instead of herself, one of Burr’s “people who are all the same,” telling some impersonal story over and over again.
In the course of being shifted out of the enduring discourse about human affairs and into the 24-hour competition to shout news faster and louder than your competition, these thoughts have acquired the blunt force of a rallying cry at the expense of something much more valuable: the awareness of the infinite complexity of things, of the impossibility of any thought ever being produces stuff that sounds good, it is because the male glance has created the criteria for what sounds good in the first place. But it seems that Le Blanc has set herself this task anyway, and, if it takes her more than twenty-four hours to publish a piece, it is likely because it takes her much longer than that to believe she has seen her subjects through her own two eyes."The Buzz" is the Mc Coy Family Center for Ethics in Society's media portal for ethics-related news on campus and beyond.
Le Blanc is interested in producing work that succeeds based on criteria she has established for herself, instead of the criteria she has received from various old, outmoded, and male-dominated institutions, from journalism to academia. We review events and speakers, and we feature initiatives that are of broad interest.
What am I gonna do if some dude turns me upside down, starts shaking the gold coins outta my pockets?
In her essay, Loofbourow defines “the male glance” like this: it is “above all else, quick . in serious discussions, and certainly not in journalism.