New Historicist Criticism Essay

New Historicist Criticism Essay-43
The historian’s own social and cultural context results in potential biases that new historicists argue will be reflected in writings that record history.

The historian’s own social and cultural context results in potential biases that new historicists argue will be reflected in writings that record history.

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Greenblatt suggests that even ideas of selfhood are formed as a result of the power-based relations that are embedded in social discourse.

He calls this self-fashioning and explains that subjectivity becomes less an act of autonomous self-creation and more the shaping of self to comply with an authoritative social power.

There is no History but histories , that are rampant in the postmodernist era.

It is the writer and the reader who is to decide which is true or correct.

Critics might examine the life of the author and look at traditional historical sources like newspaper reports, letters or journal accounts or cast their net more widely to look at medical or penal records, advertisements or other more obscure documentary sources.

Analysing this variety of texts alongside literature enables new historicists to find evidence of widespread power structures operating in society.The director successfully reconstructs the occurrence linking the past and the present placing the survivor at the center, thereby emphasizing its significance.Keeping the main event at the background, the director brings the people involved to the foreground.In the present century it is agreed that history depends on who , has recorded the events.Taking into account the writer , his background and his attitude towards the happenings around him the objectivity assigned to history is now negated.Of late movies like Titanic make more or less a new historicist attempt in the field of cinema.Based on true events, the movie recounts the tragedy from the perspective of a 90-year-old survivor.New historicists suggest that all texts, including literature, are complicit in mediating historical, political, social and cultural anxieties whether these anxieties are explicitly discussed or not.New historicists suggest that as history is always interpreted and written – in other words always textual and a form of narrative – it is not therefore a transparent process, but a practice bound up with the historian’s interpretative subjectivity.He and other critics like Louis Montrose, Jonathan Dollimore, Catherine Gallagher, and D. Miller looked for patterns of power and subversion evident within literature and interrelated historical texts.New historicists reacted against earlier theorists who isolated works of literature from their historical context for a pure concentration on the ‘words on the page’.

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