Hinduism And Buddhism Research Paper

Hinduism And Buddhism Research Paper-47
Drawing upon ethnographic research into the global missionizing group “International Society for Krishna Consciousness” (ISKCON), she studies translocal spaces of worship, service, education, and daily life in the group’s headquarters in Mayapur and other parts of India.Focusing on the actions and values of deity dressmaking, devotee clothing and paraphernalia, Mohan shows how activities, such as embroidery and chanting, can be understood as techniques of spirituality, reverence, allegiance—and she proposes the new term “efficacious intimacy” to help understand these complex processes.

Drawing upon ethnographic research into the global missionizing group “International Society for Krishna Consciousness” (ISKCON), she studies translocal spaces of worship, service, education, and daily life in the group’s headquarters in Mayapur and other parts of India.

Tags: Black Swan Green EssayBusiness Continuity Plan Iso 22301Appendix EssayElder Abuse Research PaperOxbridge Essays GuardianMake Allusion Essay

The present research paper investigates two different aspects relating diptych type objects. more The present research paper investigates two different aspects relating diptych type objects.

First section of the research discusses the use of diptychs in Western World. First section of the research discusses the use of diptychs in Western World. Different aspects related to origin, function, shape, technique, material, iconography and significance of these Western diptychs are being highlighted.

With his attributes signifying power, fertility, and protection, I suggest that Lakulīśa functioned not only as a potent sign of Pāśupata identity, but as a multivalent persona, facets of which would have resonated with a broader religious community.

In Clothing as Devotion in Contemporary Hinduism, Urmila Mohan explores the materiality and visuality of cloth and clothing as devotional media in contemporary Hinduism.

Since temples were vital loci of interaction across a wide spectrum of social groups and religious communities, even ostensibly Śaiva centres would have accommodated a range of deities, religious practitioners, and devotional repertoires.

Given the multivocality of these sanctified spaces, I propose that Lakulīśa images would have been subject to multiple ‘readings’ or interpretations.

In this regard one of the four types of miniature portable shrines, namely, Basket Man Type Buddhist Diptychs are being discussed.

The remaining three types include “Elephant and Rider Type”, Brahmana Type” and “Plain Exterior type”.

In fact, as the seasonal movements of the local pastoral communities, rituality appears intrinsically connected with reiteration and cyclicity (Baumann, 2008).

In this paper, I aim to explore the hypothesis that the materialisation of ancient cosmologies and symbolism in Mongolian rock art images may be interpreted in the light of the rituality entangled in the periodical returns and cyclical mobility of the local pastoral communities over time.

SHOW COMMENTS

Comments Hinduism And Buddhism Research Paper

The Latest from granarts.ru ©