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By this definition, Hamlet should be a noble person, who does only noble things.Aristotle would have objected to Hamlet's refusal to kill Claudius during prayer which forms the turning point of Hamlet.
By waiting for the right time, Hamlet loses his chance to achieve revenge.
This ignoble act does add to the theme of proper revenge, not in the primary plot, but when all three revenge sub-plots are considered together.
It is the type of revenge that Hamlet insists on that shapes his character and forces the bloodshed at the end of the play.
This contrasts with a play of which Aristotle did approve.
Samuel Johnson calls Hamlet "through the whole piece an instrument rather than an agent".
This is giving too much credence to the soliloquies, when Hamlet ponders, and gives too little credence to the fact that he sent Rosencrantz and Guildenstern to their deaths without hesitating, and the fact that he was the first on the pirate ship when attacked on the high seas.As another classical critic, Horace, wrote in Ars Poetica "I shall turn in disgust from anything of this kind that you show me (Horace 85)." When we see the bodies lying on the ground at the end of the play we realize the futility of Hamlet's actions and that evokes disgust.It is the evocation of this emotion that Aristotle would have disagreed with.This is significant because if he were to have achieved his revenge at that point, Claudius' soul may have been clean.Hamlet wishes to get revenge when Claudius' "Soul may be damned and black / As hell, whereto it goes (Shakespeare 3, 3, 94 - 5).It is the above mentioned elements; character, plot and setting, used in a non-Aristotelian way, that makes Hamlet work as one of the English language's most renown tragedies.By proper revenge, we refer to the Elizabethan view that revenge must be sought in certain cases, for the world to continue properly. In Poetics, Aristotle defines for us, the element of plot and shows us how he believes it must be put together.The three sub-plots together as a unit, allow us to understand what Shakespeare thought of revenge.Another of the ways Aristotle defines plot in tragedy as "The noble actions and the doings of noble persons" (Aristotle 35).One of the foremost Elizabethan tragedies in the canon of English literature is " Hamlet" by William Shakespeare and one of the earliest critics of tragedy is Aristotle.One way to measure Shakespeare's work, "Hamlet", is to appraise it using the methods of classical critics to see if it meets the criteria for a tragedy.