I like to think that these worded truisms are how Stein, who studied psychology at Radcliff under William James, and conducted laboratory experiments with Hugo Munsterberg, which led her to study the anatomy of the brain at John Hopkins, came about her knowledge.
I like to think that these worded truisms are how Stein, who studied psychology at Radcliff under William James, and conducted laboratory experiments with Hugo Munsterberg, which led her to study the anatomy of the brain at John Hopkins, came about her knowledge.Tags: Marriage And Family In America EssaysResearch Poster Paper TypeDesire For Power EssayJiskha Homework Help MathEssay On Can Computers Replace BooksFictional Narrative EssayCreating Thesis Statements ActivitiesPaperboard Container ResearchThe Death Penalty Argumentative EssayEssay On The Role Of Reserve Bank
That is the reason why the creator of the new composition in the arts is an outlaw until he is a classic, there is hardly a moment in between and it is really too bad very much too bad naturally for the creator but also very much too bad for the enjoyer, they all really would enjoy the created so much better just after it has been made than when it is already a classic, but it is perfectly simple that there is no reason why the contemporaries should see, because it would not make any difference as they lead their lives in the new composition anyway, and as every one is naturally indolent why naturally they don’t see.”“One of the things that I discovered in lecturing was that gradually one ceased to hear what one said one heard what the audience hears one say, that is the reason that oratory is practically never a master-piece very rarely and very rarely history, because history deals with people who are orators who hear not what they are not what they say but what their audience hears them say.
You can tell that so well in the difficulty of writing novels or poetry these days.
The tradition has always been that you may more or less describe the things that happen you imagine them of course but you more or less describe the things that happen but nowadays everybody all day long knows what is happening and so what is happening is not really interesting, one knows it by radios cinemas newspapers biographies autobiographies until what is happening does not really thrill any one, it excites them a little but it does not really thrill them.
The painter can no longer say that what he does is as the world looks to him because he cannot look at the world any more, it has been photographed too much and he has to say that he does something else.
Below you will find a few paragraphs, taken out of context, which capture the essence of Gertrude Stein’s thinking.
I deliberately broke up the paragraphs from the lecture into sentences, to allow the necessary time, to taste, savor, swallow, and digest, the thought that you just read.
Toklas, her lifelong companion, her brother Leo Stein – his book is a must read – and a slew of soon to be famous Salonettes, among the better known, Picasso, Matisse, Hemingway, and F.
Scott Fitzgerald—all an irresistible cast of characters.
And then there is a link to Stein seriously reciting, straight forward and dry, If I Had Told Him a Completed Portrait of Picasso. v=FJEIAGULm PQ For those few that read her, and continue to do so, Gertrude Stein (1874-1946) is an acquired taste, a taste I confess I acquired decades ago.
What attracted me to her, and still does, in addition to her writings and her ideas, is her common sense, an aspect that is rarely mentioned when the subject of Stein surfaces.