Farewell To Manzanar Theme Essay

Farewell To Manzanar Theme Essay-10
at the Tule Lake location spoke about it for this article, beginning in a lunch conversation in 2012 with Korty, as the film’s director, and Lope Yap, Jr., who served as unit manager and location manager.

at the Tule Lake location spoke about it for this article, beginning in a lunch conversation in 2012 with Korty, as the film’s director, and Lope Yap, Jr., who served as unit manager and location manager.Korty, who is based in Marin County, was then working on a documentary, , about organic peach farmer and author David Mas Masumoto, a member of the National Council on the Arts.

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Yap, then in his mid-twenties and engaged to be married, said he had to fend off endless offers of weekend dinners and introductions to local women: “Any female from eight to 80 years old, with or without teeth, [was] trying to figure out a ticket out of that valley.” Newell’s most helpful resource for the film was the former military police barracks compound.

Isolated from other housing, the MP complex had changed its appearance relatively little since the camp’s closure in 1946.

Other locations were in the San Francisco Bay Area.

San Francisco’s Presidio was used for the pivotal interrogation scene where Mr.

In a few scenes of arrivals and departures at “Manzanar,” the camera even swings past Tule Lake’s most distinctive landmark, the volcanic crag known as Castle Rock.

Korty and Yap said the brief Castle Rock images weren’t intentionally left in.Yap had built a career as a successful producer and special effects designer in films including .At the time of the film’s re-release in 20, Korty and some of the actors gave interviews about the events invoked and conversations begun on the set.Yap said, to film that scene at the actual Manzanar site, “all we had was the front of the barracks” plus ten feet of fence.“And it works.” Yap remembered it as an example of thrifty set design, prepared with future director/producer Drew Takahashi.The cast and extras spent a day filming the riot scene at Santa Anita Jail in Alameda County.(Kinoshita, who was a small-plane pilot, flew Yap down to Livermore for the day from Klamath Falls.) Some scenes from the Justice Department detention of the central family’s father, Ko Wakatsuki, are probably at Santa Rita Jail in Alameda County, which was also used as a set for the Manzanar riot scene.When the production designers moved south from Tule Lake to Manzanar they brought small pieces of the sets to film outdoor scenes against the Sierra backdrop.At one point Yuki Shimoda, as Ko Wakatsuki, stands mourning the death of his soldier son, with his hand on the wire fence, looking up at the Sierra ridges.(The “Flying Goose” later became a rural slum with a reputation for drug trouble. He said he felt “the heritage of that energy” then.“I just always felt that, if walls could talk, these things could talk well.”) Yap said filming lasted a total of only 36 days: most of the time at Tule Lake, and only a day or two at the real Manzanar site.

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