Essays On Sor Juana Ines De La Cruz

Puccini 1996, which first appeared in Italian a year after Castellanos’s invitation, offers close readings of the adaptation of visual imagery from earlier baroque poetry in Primero sueño, demonstrating the poet’s originality in concepts and versification.

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Paz 1982 is a monumental study, the culmination of research begun in the 1950s, situating Sor Juana’s writings in the cultural context of the literary Baroque and the colonial politics of church and state.

Although his approach to questions of gender and sexuality is outdated, Paz’s close readings of Sor Juana’s baroque conceits are illuminating.

The booklet was printed unbound and in limited number to be given as gifts.

Just two known original copies exist.“This is a rare ephemeral document that is now the anchor of our colonial Latin American collection at ASU Library,” said Seonaid Valiant, curator for Latin American studies at the ASU Library.

Top photo: A rare first edition of "Neptuno alegórico" by Sor Juana Inés de la Cruz, the premiere poet of the Americas (1651-1695).

The original booklet, which was commissioned by the archbishop of New Spain, or Mexico, in 1680, now has a home at Arizona State University.

Other major works are her long philosophical poem, Primero sueño (First Dream, c.

1685); her love poetry and satirical verse; and the Loa (introduction) to the auto sacramental (allegorical religious play) El divino Narciso (1690) dramatizing the violence of the Spanish conquest and religious conversion of the indigenous population of Mexico.

“The piece is well-known, often included in collections of Sor Juana’s writing, and lets us study a unique style of printing.”Sor Juana’s essay depicts the new viceroy as Neptune, emerging from the sea, a display of the breadth of her classical knowledge, says Valiant.“She was self-educated and knew all the great classical scholars.

Because we have the first edition, we get to see the essay before her corrections were incorporated in the third edition,” said Valiant.


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