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Within the comedy of plot, there is a social comedy involving Beatrice and Benedick.
He acts as a blocking figure in this play and causes many problems for the lovers.
Claudio, after being discouraged by don John by telling the prince wants her, decides ...
A comedy is not a comedy without evil surrounding it.
When Claudio and Don Pedro put their plan into action at the masked ball, Don John appears.
We tend now to think of romantic comedy as a genre consumed by women, but in the early modern period it was directed at young men.
Even while they ultimately endorse male-female relationships, comedies are often preoccupied with male-male bonding: think of Antonio and Bassanio in , Don Pedro tells Claudio that he will woo Hero on his behalf – part of the play’s persistent pattern of substituting male-male relationships for male-female ones.
, another play about male bonding and destructive sexual jealousy. Whereas Iago tricks everyone around him into believing his honesty, Don John seems incapable of dissimulation: ‘I cannot hide what I am: I must be sad when I have cause, and smile at no man’s jests’ (1.3.13–14).
As a self-proclaimed ‘plain-dealing villain’ (1.3.32), Don John’s conduct is clear.
Also, marriage is a crucial component of the comedy in the play.
All of these elements combine to produce another Shakespearean comedy. It involves suspense, question and has a detective story element.