Essay Stranger Camus

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We remembered, while reading this novel, that there had once been works which had not tried to prove anything, but had been content to stand on their own merits.

But hand in hand with its gratuitousness went a certain ambiguity.

These are not really very new themes, and Camus does not present them as such.

They had been sounded as early as the seventeenth century by a certain kind of dry, plain, contemplative rationalism, which is typically French and they served as the commonplaces of classical pessimism.

He is as innocent as Prince Mishkin, who “lives in an everlasting present, lightly tinged with smiles and indifference.” Innocent in every sense of the word, he, too, is, if you like, an “Idiot.” And now we fully understand the title of Camus’s novel.

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The stranger he wants to portray is precisely one of those terrible innocents who shock society by not accepting the rules of its game.Was it not Pascal who emphasized “the natural misfortune of our mortal and feeble condition, so wretched that when we consider it closely, nothing can console us”? Would he not have wholeheartedly approved the following remark of Camus: “The world is neither (completely) rational, nor quite irrational either”?Does he not show us that “custom” and “diversion” conceal man’s “nothingness, his forlornness, his inadequacy, his impotence and his emptiness” from himself?[I cannot express to you how glad I am that I am taking this class. The Sun Also Rises is one of the best books I've read in quite a long time. The remarkable thing about the book was its liberal use of dialogue and how Hemingway used it to carry the reader through the book.There was no plot in the book in the sense that there was no twists...In William Golding"s Lord of the Flies the Conch represents power and order. This writer provides the highest quality of work possible.Power is represented by the fact that you have to be holding it to speak, and Order is displayed by the meetings or gath... Service is excellent and forms various forms of communication all help with customer service. If we think of scientific nominalism, of Poincaré, Duhem and Meyerson, we are better able to understand the reproach our author addresses to modern science. His very method (“only through a balance of evidence and lyricism shall we attain a combination of emotion and lucidity.”) recalls the old “passionate geometries” of Pascal and Rousseau and relate him, for example, not to a German phenomenologist or a Danish existentialist, but rather to Maurras, that other Mediterranean from whom, however, he differs in many respects.“You tell me of an invisible planetary system in which electrons revolve about a nucleus. But Camus would probably be willing to grant all this.“An Explication of The Stranger.” (Originally titled “Camus’s The Outsider.”) First published in Situations I (Paris: Librairie Gallimard, 1947). Reprinted by permission of the author, Librairie Gallimard, Rider & Co., and Criterion Books, Inc.From Literary and Philosophical Essays of Jean-Paul Sartre (New York, 1955). was barely off the press when it began to arouse the widest interest.


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