Essay On Moonlit Night

Essay On Moonlit Night-27
Small trees and shrubs are seen in the midst, overwhelmed as by an inundation.

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Men talk glibly enough about moonshine, as if they knew its qualities very well, and despised them; as owls might talk of sunshine.

None of your sunshine — but this word commonly means merely something which they do not understand — which they are abed and asleep to, however much it may be worth their while to be up and awake to it.

I soon discovered that I was acquainted only with its complexion, and as for the moon, I had seen her only as it were through a crevice in a shutter, occasionally. Suppose you attend to the suggestions which the moon makes for one month, commonly in vain, will it not be very different from anything in literature or religion? What if one moon has come and gone with its world of poetry, its weird teachings, its oracular suggestions — so divine a creature freighted with hints for me, and I have not used her? Such a man, one would say, would never look at the moon, because she never turns her other side to us.

The light which comes from ideas which have their orbit as distant from the earth, and which is no less cheering and enlightening to the benighted traveller than that of the moon and stars, is naturally reproached or nicknamed as moonshine by such. Well, then do your night-travelling when there is no moon to light you; but I will be thankful for the light that reaches me from the star of least magnitude.

I shall be a benefactor if I conquer some realms from the night, if I report to the gazettes anything transpiring about us at that season worthy of their attention — if I can show men that there is some beauty awake while they are asleep — if I add to the domains of poetry.

Night is certainly more novel and less profane than day. Chalmers who said, criticising Coleridge, that for his part he wanted ideas which he could see all round, and not such as he must look at away up in the heavens.The leaves of the shrub-oak are shining as if a liquid were flowing over them.The pools seen through the trees are as full of light as the sky. You see the moonlight reflected from particular stumps in the recesses of the forest, as if she selected what to shine on.The slightest irregularities in the ground are revealed by the shadows, and what the feet find comparatively smooth, appears rough and diversified in consequence.For the same reason the whole landscape is more variegated and picturesque than by day.To the best of our knowledge, the text of this work is in the “Public Domain” in Australia.HOWEVER, copyright law varies in other countries, and the work may still be under copyright in the country from which you are accessing this website.The smallest recesses in the rocks are dim and cavernous; the ferns in the wood appear of tropical size.The sweet fern and indigo in overgrown wood-paths wet you with dew up to your middle.“The light of the day takes refuge in their bosoms,” as the Purana says of the ocean. A distant cliff looks like a phosphorescent space on a hillside. These small fractions of her light remind one of the plant called moon-seed — as if the moon were sowing it in such places.In the night the eyes are partly closed or retire into the head. The walker is guided as well by the sense of smell.


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