Essay On Dogville

Maybe we should be disgusted at the moral failings of man, and we should not be afraid to share that message.

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I maybe didn’t necessarily enjoy it, but I actually appreciated it.

The cinematography and music choice of the prologue left me stunned.

, developing stories in counterpoint over the squares of a playboard -a maximally abstract reality with the common denominator of the suffering protagonist, Grace- in the theatre version by Sílvia Munt and Pau Miró we find, together with the scenario, audio-visual resources that cinematically delocalize the plot in outdoor landscapes, reversing the logic of the Danish creator in an impeccable way.

Because the sense of drama is maintained in the most extreme sense, the one that sharpens urgent questions -already in the middle of the last century- and that postmodernity has not completely concealed: what is the meaning of the word Humanism?

v=bc M4h6o UBx MI’ll never forget the first time I watched Lars Von Trier’s 2009 film, Antichrist. It was maybe the first time I fully grasped the fact that the sole purpose of movies is not just for entertainment.

I’d never felt this type of reaction to any film before.

It was beautiful, I was witnessing a true artistic vision.

The shocking gore and disturbing subject matter undoubtedly can alienate others, but it only transfixed me to be more obsessed with finding out the purpose of the film.

After a few years I had immersed myself in most of his works, and I grew to just understand where he was coming from.

As of now I view Dogville and Manderlay is a single film, and these two parts are the beginning of a trilogy all about Von Trier’s evolving understanding of our universe.


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