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The ghost of his father leads him to contemplating murder; this is an emotional decision for him due to the apparent lack of evidence.Hamlet is so bent on doing it but keeps on procrastinating due to the voice of reason within him.
Her worry over him continues into the second act, as she sides with King Claudius in sending Rosencrantz and Guildenstern to raise the spirits of her son.
Also, rather than ascribing Hamlet's sudden madness to Ophelia's rejection (as thought by Polonius), she believes the cause to be his father, King Hamlet's death and her quick, subsequent marriage to Claudius: "I doubt it is no other but the main; His father's death and our o'erhasty marriage." In Act three, she eagerly listens to the report of Rosencrantz and Guildenstern on their attempt to cheer him, and supports the King and Polonius' plan to watch Hamlet from a hidden vantage point as he speaks with Ophelia, with the hope that her presence will heal him.
Shakespeare, in his usual self of creating characters who mirror society and expose human weakness explores deep on the lack of rationale or set paradigm in decision making, and action when at the odds of reason and passion.
In the Hamlet, Shakespeare characterizes his protagonist as a character who is heavily afflicted by rational decision making as well as supporting the dramatically catchy and alluring thought of passion versus passion through other dramatic elements too.
At Ophelia's burial, she expresses her former hope that the young woman might have married her son: "I hoped thou shouldst have been my Hamlet's wife." When Hamlet appears and grapples with Laertes, she asks him to stop and for someone to hold him back—saying that he may be in a fit of madness now, but that will alleviate soon.
At the beginning of the play, Gertrude lies more with her husband than her son; however, after the closet scene the whole situation is switched.
Human conscience at times of decision making may betray or deceive us due to conflict of factors within ourselves.
The biggest paradox when making decisions may be the conflict between the mind and the heart; reason and passion.
Her name may derive from Gertrude of Bavaria, Queen Consort of Denmark 1182–1197.
Gertrude is first seen in Act 1 Scene 2 as she tries to cheer Hamlet over the loss of his father, begging him to stay at home rather than going back to school in Wittenberg.