English Critical Essays Nineteenth Century

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As if in response, four authors of very respectable stature appeared.--- SUMMER READING The reading load for this module is comparatively heavy, as many of the novels, while very rewarding, are also very long.It is therefore a REQUIREMENT of taking this course that you read at least two course novels (I recommend, because week 10 is always a struggle) during the summer vacation.One of a series of works aimed at presenting contemporary critical opinion on major authors, this collection includes essays by Henry Nash Smith, Van Wyck Brooks, Maurice Le Breton, Kenneth Lynn, Leo Marx, Walter Blair, Daniel G. Topics covered include Mark Twain's humor, "Tom Sawyer,""Huck and Oliver,""A Connecticut Yankee: The Machinery of Self-Preservation," and the despair of Mark Twain and Henry Adams over the lost America. Designed for use by both literary critics and secondary and college teachers of English, this work also is of value to undergraduate and graduate students of literature.His gothic tales of terror were written in accordance with his findings when he studied the most popular magazines of the day.His masterpieces of terror—“The Fall of the House of Usher” (1839), “The Masque of the Red Death” (1842), “The Cask of Amontillado” (1846), and others—were written according to a carefully worked out psychological method.Later, having met Sir Walter Scott and having become acquainted with imaginative German literature, he introduced a new Romantic note in James Fenimore Cooper won even wider fame.Following the pattern of Sir Walter Scott’s “Waverley” novels, he did his best work in the “Leatherstocking” tales (1823–41), a five-volume series celebrating the career of a great frontiersman named Natty Bumppo.Bradbury compares the screenplay with the written work and discusses both the Gothic tradition and Poe's influence on contemporary science fiction.(1832), Kennedy wrote delightfully of life on the plantations.


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