In the Christian religion, the devil is the not-as-powerful antagonist of God.There are many ways in which Count Dracula could be This appearance is often described as having pointed ears, sharp teeth, a pitchfork, and wings.
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From the nameless writhing vampires who attack Jonathan Harker, to the overly sexualized vampire-in-waiting Lucy Westenra, to the seemingly traditional Mina Harker, Stoker examines three divergent types of women, all of whom pose some threat to Victorian notions of social order and sexualized hysteria.
When Stoker sets up feminine sexuality as diametrically opposed to femininity and does so in terms of insanity and monstrosity, he draws from a heritage that long reveres the idea of chaste, modest, non-sexual beings as the standard for Englishwomen and deviations from this norm as grotesque.
Victorian Sex and the (Mostly) Single Girl The concept of the Angel in the House--the pure, virtuous, non-sexualized female--is one of the most monolithic and immobile depictions of Victorian womanhood.
First labeled as such by Coventry Patmore in his 1854 poem, The Angel in the House (later expanded in 1862), Victorian women, so it would appear, were either genteel young ladies or bad little children, either supportive helpmates or destructive slatterns, either chaste paragons of morality or lost and loose women.
Simone de Beauvoir's The Second Sex (1949), Betty Friedan's The Feminine Mystique (1963), Ms.
Magazine's first issue in 1972 in which Gloria Steinem famously put Wonder Woman on the cover, Susan Faludi's Backlash (1991), and more recent debates about Sarah Palm's footwear choices and Hillary Clintons pantsuits and political ambitions, indicates that the Woman Question is still with us and shows no sign of disappearing any time soon.Although Dracula will not be found toting around a pitchfork, the other attributes can be likened to his character.One will find that the novel states “The mouth, so far as I could see it, was fixed and rather cruel-looking, with peculiarly sharp white teeth…While Patmore might have created the label, he was not the only one who gave direction to England's women.Sarah Stickney Ellis wrote a series of conduct manuals, Mrs.Van Helsing uses various Christian symbols to defeat Count Dracula.Given that Van Helsing and his posse are able to use the Christian imagery to drive Dracula back to Castle Dracula and eventually defeat him, Stoker might be suggesting that the power of the Christianity and the Christian God will always prevail in a match against evil and the devil.but was hurled down by the supreme ruler of the Babylonian Olympus." The fall from heaven motif also has a parallel in Canaanite mythology.In ancient Canaanite religion, the morning star is personified as the god Attar, who attempted to occupy the throne of Ba'al and, finding he was unable to do so, descended and ruled the underworld.Good Girls Gone Bad: The Perils of Feminine Sexuality In Fictions of Modesty: Women and Courtship in the English Novel, Ruth Bernard Yeazell writes that early English conduct books construct a parallel between immodesty and insanity, for as one manual intoned, "an Impudent woman is looked on as a kind of Monster; a thing diverted and distorted from its proper form" (5).Dracula's brazen--and therefore monstrous--women do not adhere to standards of middle class morality, and Stoker gives us three very different portraits of womanhood, all of which play into Victorian anxieties about female sexuality and gender roles.