Deleuze claimed that he did not write “about” art, literature, or cinema, but, rather, undertook philosophical “encounters” that led him to new concepts.
As a constructivist, he was adamant that philosophers are creators, and that each reading of philosophy, or each philosophical encounter, ought to inspire new concepts.
Gilles Deleuze began his career with a number of idiosyncratic yet rigorous historical studies of figures outside of the Continental tradition in vogue at the time.
His first book, Empirisism and Subjectivity, isa study of Hume, interpreted by Deleuze to be a radical subjectivist.
Taken together, these 18 essays--all newly revised or published here for the first time--present a profoundly new approach to The final work of the late philosopher Gilles Deleuze (1925-1995) includes essays on such diverse literary figures as Herman Melville, Walt Whitman, D. Lawrence, Lewis Carroll, and others, along with philosophers Plato, Spinoza, Kant, and others.
Um livro que indica o ponto, ou a área, onde clínica, literatura, filosofia, e uma ácida psicanálise se encontram.These essays testify to his long-term desire to dismantle the barriers between art and its adjacent domains.The final work of the late philosopher Gilles Deleuze (1925-1995) includes essays on such diverse literary figures as Herman Melville, Walt Whitman, D. Lawrence, Lewis Carroll, and others, along with philosophers Plato, Spinoza, Kant, and others.It was enough for me to read Deleuze bring Bartleby back to where it should be, a "violently comical text", but fortunately Deleuze doesn't stop there.Yes, there is This is probably one of my favorite literary theory books.Additionally, according to Deleuze and his concepts of difference, there is no identity, and in repetition, nothing is ever the same.Rather, there is only difference: copies are something new, everything is constantly changing, and reality is a becoming, not a being.I should first have said that the word "theory" and its connotations, not to mention all that is "literary", kind of scare the piss out of me.Deleuze writes here of Alfred Jarry, Whitman, Spinoza, Lewis Carroll, and of course Beckett, Nietzsche, and Melville, among others.No campo da crítica literária exclui a primeira e a segunda pessoa do campo da literatura, destitui o poder de um eu e o passa para uma terceira pessoa, para o indefinido, para os personagens outros, impessoais.Deleuze insiste na língua estrangeira dentro da própria língua, na balbucia, na deformação.