Critical Essays On Angela Carter Ed. By Lindsey Tucker 1998

Critical Essays On Angela Carter Ed. By Lindsey Tucker 1998-20
(111) The use of a male first-person narrator, actually quite characteristic of speculative fiction by women during the 1960s and early 1970s (another example is Ursula K.Le Guin's Left Hand of Darkness [1969]), is an important factor in interpreting Dr. Yet only the books of Peach and Tucker (whose volume reprints the excellent excerpt from Robinson's Engendering the Subject [SUNY Press] that Peach is quoting from above) address this matter of Carter's early "ventriloquism." Peach is perhaps too insistent on Carter's debt to Leslie Fiedler's discussion of Euro-American Gothicism in Love and Death in the American Novel (Criterion, 1960): he makes a strong case, but overlooks equally probable influences; Carter didn't stop reading (or thinking) in 1965.

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For, while strong on the matters they do address, Tucker's authors proceed from such different assumptions about Carter (her genres and her fictional practices) that the sum of this book is quite difficult to total.Tucker's introduction does provide a lucid chronological survey of Carter's writings, but it focuses mainly on Carter commentators not represented in the volume, including Salman Rushdie, Lorna Sage, Linda Hutcheon, and Claire Kahane.A rationale for the reprinted articles also was needed--some account of how they fit together and why they were selected.Lindsey Tucker's volume, a miscellany of reprinted essays, flings the door wide to a variety of challenging readings and promising approaches, but Tucker offers little guidance on how these (in some cases mutually exclusive) interpretations might be synthesized into an overview.Two of these books lay claim to being the first full-length work of criticism on Angela Carter.To Aidan Day, Carter is preeminently a rationalist; to Sarah Gamble, she is a feminist interested in dramatizating the liminal.To Linden Peach, a scholar in Britain who specializes in US fiction, Carter is an English writer strongly influenced by American culture, especially the criticism of Leslie Fiedler.Hoffman, for instance, Peach is sensible and insightful: Desiderio is the author of a narrative which, as [Sally] Robinson (1991) says, "enlists an array of misogynist sentiment and fantasy"....However, here Carter as a female author is appropriating a male consciousness to expose how women are trapped, like the woman reader of this novel, in a male imaginary.(There is no Works Cited section in Peach's volume, and the Bibliography lists only Penguin's Selected Melanie Klein [1991]: Klein's theories are described without citation of a single article or book title.) Despite the minimal documentation, however, this gracefully written account of Carter's development as a novelist rings true overall.A Toni Morrison scholar, Peach knows the discourse on myth and folklore, adding an interesting dimension to his reading of Carter.


Comments Critical Essays On Angela Carter Ed. By Lindsey Tucker 1998

  • Carter’s Feminist Revision of Fairytale The. - SpringerLink

    Carter’s Feminist Revision of Fairytale The Narrative Strategies of “The Company of Wolves”. In Critical Essays on Angela Carter, ed. Lindsey Tucker.…

  • Critical essays on Angela Carter Book, 1998

    Get this from a library! Critical essays on Angela Carter. Lindsey Tucker; -- This book offers essays on the short stories, novels and general writings of Angela Carter to examine her philosophy and style with a biographical introduction.…

  • Carter, Angela

    Angela Carter, who during her life was mainly known as an author of novels, nonfiction essays, plays, and children's books, was also a short-story writer. During her short life she published three collections of short stories—Fireworks Nine Profane Pieces 1974, The Bloody Chamber, and Other.…

  • The Bloody Chamber Bibliography GradeSaver

    Linkin, Harriet Kramer. "Isn't It Romantic? Angela Carter's Bloody Revision of the Romantic Aesthetic in "The Erl-King."" Critical Essays on Angela Carter. Ed. Lindsey Tucker. New York G. K. Hall & Co. 1998. 119-133. The Question and Answer section for The Bloody Chamber is a great resource to ask.…

  • Feminism in Angela Carter’s “The Magic Toyshop” - Blogger

    Wyatt, Jean. "The Violence of Gendering Castration Images in Angela Carter's The Magic Toyshop, The Passion of New Eve, and "Peter and the Wolf"" Critical Essays on Angela Carter. Ed. Lindsey Tucker. New York G. K. Hall &, 1998. 60-80. Print.…

  • Curriculum Vitae EDUCATION - University of Louisville

    Feminist Metafiction and Androcentric Reading Strategies Angela Carter's Reconstructed Reader in Nights at the Circus." Chapter in Critical Essays on Angela Carter, ed. Lindsey Tucker. New York G. K. Hall & Co. 1998. Reprint “A Postmodern Turn of The Turn of the Screw. Henry James Review. Nov. 1998, pp. 245-255.…

  • TalkAngela Carter/Angela Carter references - Wikipedia

    Evans, Kim and Angela Carter 1992, Post production script of Angela Carter’s Curious Room, Omnibus, BBC Music and Arts Department archive, part published as ‘The Granada, Tooting’ in Carter 1997, 400.…

  • Review Articles November 1999 - DePauw University

    The ghost of a rationale for including three essays on Nights at the Circus seems provided by Tucker's early statement that the heroine of that novel is Carter's "most memorable protagonist" 1. While these are fine essays devoted to a wonderful novel, the three chapters on Nights take up space that might have gone to other novels equally good.…

  • Erotic Infidelities - edu

    Erotic Infidelities Lau, Kimberly J. Published by Wayne State University Press Lau, J. Erotic Infidelities Love and Enchantment in Angela Carter's The Bloody Chamber. Detroit Wayne State University Press, 2014. Project MUSE. https//edu/. For additional information about this book…

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