Art By Century Essay Painter Painting Poet Poet Twentieth

Art By Century Essay Painter Painting Poet Poet Twentieth-13
His contacts with those who were crucial to the formation of the new American avant-garde accelerated in 1941, when he was introduced to Lee Krasner, whom he married in 1945.In 1942, she introduced him to de Kooning, her teacher Hans Hofmann, and her friend Harold Rosenberg.

His contacts with those who were crucial to the formation of the new American avant-garde accelerated in 1941, when he was introduced to Lee Krasner, whom he married in 1945.In 1942, she introduced him to de Kooning, her teacher Hans Hofmann, and her friend Harold Rosenberg.

Pollock became acquainted with Californian-born, Stanford- and Harvard-educated Robert Motherwell through Chilean-born, European-bred Roberto Matta Echaurren (Motherwell and Matta had met on a trip to Mexico in the summer of 1941), while Motherwell, who moved to New York in 1940, met Hofmann and de Kooning through Pollock.

Adolph Gottlieb's friendship with Barnett Newman dates to 1922, while that with Mark Rothko began in 1929.

Among the exceptions to those with downtown studios were Robert Motherwell, who lived uptown, and Adolph Gottlieb, who had moved to Brooklyn.

In addition, various neighborhood bars and cheap restaurants provided informal gathering places for the artists living downtown.

The social milieu in which Abstract Expressionism emerged had its roots in the friendships formed in Depression-era New York.

The intricate web of relationships that developed as each artist came to town suggests that New York functioned, for those involved in defining avant-garde American art, more like a small town than America's largest city.

De Kooning's studio was on West Twenty-second Street, Kline's was on West Fourteenth Street between Seventh and Eighth Avenues, and the more peripatetic Mark Rothko was at one time located on Twenty-eighth Street near Fifth Avenue.

Philip Guston joined the crowd in 1950, first with a studio on Thirteenth Street (shared with Bradley Walker Tomlin) and then with one at 51 West Tenth Street.

For instance, Dutch-born Willem de Kooning, who moved to New York in 1927, befriended Armenian-born Arshile Gorky in 1930-1931; Russian-born but American-raised Mark Rothko in 1934; Philip Guston and Barnett Newman in 1937; and Franz Kline in 1939-1940.

The experience of Wyoming-born Jackson Pollock, who arrived in New York in 1930, although slower to coalesce, was not substantially different.

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