We see the director, in the scene with Angela and Jane in Jane’s room, reflect on this contradiction of beauty.This scene is a microcosm of the film itself as Ricky zooms past Angela, who we think and also society depicts as being beautiful and sexy, into the reflection of Jane’s face in the glass mirror, who is infidently embodying a rarer beautiful and interest.The video camera then zooms past Angela again focusing on Jane.
We see the director, in the scene with Angela and Jane in Jane’s room, reflect on this contradiction of beauty.This scene is a microcosm of the film itself as Ricky zooms past Angela, who we think and also society depicts as being beautiful and sexy, into the reflection of Jane’s face in the glass mirror, who is infidently embodying a rarer beautiful and interest.The video camera then zooms past Angela again focusing on Jane.Tags: The Truth About Lying EssayBest Vocabulary For Essay WritingProblem Solving Techniques For ManagersInteresting Concepts For EssaysPostmodernism EssayWriting A Classification EssaySoviet Socialism Social And Political EssaysTheoretical Framework For Research PaperMotivation Case Study
Mendes uses film techniques such as the unpredictable panning on the plastic bag.
Mendes again uses symbolism in the form of rose petals to roses to symbolize true beauty in scenes where it is present, but in contrast he also uses roses in scenes where true beauty does not exist, and is yearning to.
The film denounces the hypocrisy of a society obsessed with outer appearance of success, thus avoiding in the film we see certain scenes where material natures override fundamentally values in life.
Firstly, in the dinner scene where Carolyn has the dinner table perfectively set in symmetrical precision in the long shot of the room.
We again see conflicting attitude of True beauty through the plastic bag video recording from Ricky.
In this scene the constant panning of the video recording displays a wind caring circular movements around dead leaves, sometimes whipping it about violently, or without warning, sending it soaring skyward, floating gracefully down to the ground.Sam Mendes invites the viewer to look closer into the film by reflecting on these attitudes through a variety of techniques, which captivate the audience creating a masterpiece film.A major attitude portrayed throughout the film is explored through imprisonment.However at the end of the film Lestor’s perception of Angela’s Beauty changes as she mentions she is a virgin.Therefore, Angela ironically possesses an innocent natural Beauty which Lestor comes to understand. This setting of roses, in this sense are symbolic as the house is a simple material object one of societal expectations, yet the house and its inhabitants possess an artificial beauty which yearns True beauty.Throughout the film Lestor is subconsciously trapped behind jail cells which Mendes displays through setting, film techniques, and symbolism.In the beginning of the film we can see the various jail cells Lestor is subject to.Firstly, in the shower scene we see Lestor trapped behind glass walls.This symbolic glass wall is again used by Mendes in the following scene where Lestor is again trapped behind the glass windows in the house, a boundary which is caused by the nature of his materialistic wife Carolyn.This fine piece of filming explores an exquisite natural beauty as if the bag is dancing with joy in the wind, with the dead leaves almost depicting foot soldiers dancing around the bag.This Beauty would be regularly disregarded in a negative attitude among the depicted society, as a simply plastic bag blowing in the wind.